London: George Allen, 1894-1897. Limited edition. Hardcover. 1/1000. Large quarto (11 1/8 x 8 3/4"). lxxvi, viii, pp (Vol. 1); viii, 251-pp (Vol. 2); vii, , 529-pp (Vol. 3); viii, 807-1044 (Vol. 4); viii, 1045-pp (Vol. 5); viii, 1277-1546, pp (Vol. 6). Uncut. Top edges gilt. Contemporary 3/4 burgundy crushed morocco over red cloth, with gold lettering and decoration to spines. Marbled endpapers. Original illustrated salmon wrappers bound in.
The Faerie Queene is an English epic poem by Edmund Spenser. "Books I to III were first published in 1590, and then republished in 1596 together with books IV to VI. The Faerie Queene is notable for its form: it is one of the longest poems in the English language and the origin of a verse form that came to be known as Spenserian stanza. On a literal level, the poem follows several knights in an examination of several virtues, though it is primarily an allegorical work, and can be read on several levels of allegory, including as praise (or, later, criticism) of Queen Elizabeth I.
In Spenser's "Letter of the Authors" he states that the entire epic poem is "cloudily enwrapped in Allegorical devises," and that the aim of publishing The Faerie Queene was to "fashion a gentleman or noble person in vertuous and gentle discipline". The Faerie Queene found such favor with Elizabeth I that Spenser was granted a pension for life amounting to £50 a year, though there is no further evidence that Elizabeth read any of the poem. This royal patronage helped the poem to such a level of success that it became Spenser's defining work." (For more information, see: David Loewenstein and Janel M. Mueller's "The Cambridge History of Early Modern English Literature," 2003, Cambridge University Press).
One of the most beautiful works of the Arts and Crafts Movement, "Faerie Queene" contains no less than 88 full-page illustrations, 135 illustrated head- and tailpieces, and numerous illustrated initials by Walter Crane (1845-1915), an English artist and illustrator considered to be the most influential, and among the most prolific, children's book creators of his generation.
One of 1,000 unnumbered sets on handmade paper.
Sporadic and moderate rubbing along edges of bindings. First volume lacking the first two leaves of the Editor's Preface. Upper corner of pages 403 to 492 in second volume creased / bumped (not affecting lettering). Bindings in overall good to very good, interior in good+ to very good condition. g to vg. Item #43684